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Flags & Letters: 1 Battle, 2 Stories
by Kaare Kvenild

film: Flags of Our Fathers
director: Clint Eastwood
cast: Adam Beach, Ryan Phillippe and Jesse Bradford
DreamWorks / 2006
score: 90
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film: Letters From Iwo Jima
director: Clint Eastwood
cast: Ken Watanabe, Shido Nakamura
Warner Brothers / 2006
score: 100
< click to learn more

In October of 2006, Warner Brothers Studios and Dreamworks SKG released Clint Eastwood's new film, "Flags of Our Fathers." This was the movie to beat this year. It was determined that "Flags of Our Fathers" would be a sure-fire contender for the Best Picture Oscar. It had everything that is determined to be this type of film: a talented cast, a prominent director, an award winning screenwriter and a dramatic/historic story. The three leads are played by Adam Beach, Ryan Phillippe and Jesse Bradford. Eastwood recruited collaborator Paul Haggis to write the screenplay. Haggis won an Oscar for writing Eastwood's film, "Million Dollar Baby." And the story is one of the most well known stories in American Military History: The Battle of Iwo Jima.

Eastwood takes a different spin on the tradition World War II film. "Flags of Our Fathers" follows the lives of the men who raised the American Flag at Iwo Jima. As told in history books, the picture of the flag raising is considered the turning point of the war as far as The United States in concerned. American sentiments on the war were not high. Much like today's world, the American people didn't feel anything was being accomplished. But when the picture of the men raising the flag is published, the feelings change; American's begin to support the war effort. And one way to support the war effort was to buy war-bonds. Three of the surviving men (Beach, Phillippe and Bradford) are sent home after the historic picture is taken to help in this effort. But there's a catch.

It turns out the picture that was taken is actually of the second flag that was raised. The first was taken down at the insistence of an Admiral that wanted the flag. Due to this fact, Beach and Phillippe are hesitant about helping in the war effort, but Bradford is all for it. Without giving too much away, the story follows the three soldiers through their cross-country travels to raise support for the war effort. During this, Eastwood interweaves flashbacks to events that took place on Iwo Jima: the trip to the island, the landing, the battle, the flag raising, and the deaths of friends.

"Flags" heart-breaking while being feel-good, and critical while being patriotic. Eastwood is able to make swell all of these emotions in the viewers all at once. It is also a picture of what many see today's war in Iraq. The acting is first rate, especially Adam Beach who brings the tragic Ira Hayes to life (yes, the same Ira Hayes that Johnny Cash sings about). It's a gut-wrenching performance that you have to see to believe. Clint Eastwood has easily in the later years of his life become one the quintessential American filmmakers. The cinematography is also very gritty during battle and very broad in scope. At the same time, it is very personal. During non-battle scenes, you really feel like you are apart of their lives as they live through these experiences. But when "Flags of Our Fathers" was released, while receiving great critical acclaim, it failed at the box office. Many saw it as just another movie on WWII.

Jump ahead to December of 2006 and talk has shifted. There's another film on WWII coming out called "Letters from Iwo Jima." This film is about the same battle but from the perspective of the Japanese troops fighting it. It's completely in Japanese, but not a Japanese film. "Letters" is Clint Eastwood's companion film to "Flags," filmed back-to-back to give viewing audiences a complete perspective of the battle of Iwo Jima. Such an undertaking had never been done. With its release, the Oscar buzz that accompanied "Flags" now belongs to "Letters." And this buzz is well deserved.

"Letters" focuses on the Japanese soldiers who are forced to defend a seemingly worthless island off the Japanese coast. But it's not worthless. Iwo Jima is considered one of the key stopping grounds on route to Japan for the US Fleet. Ken Watanabe stars as General Tadamichi Kuribayashi, the man in charge of defending the tiny island. He does so with great skill and military intelligence. When Kuribayashi arrives on Iwo, he sees that the current officers are having their troops dig trenches on the beach. Kuribayashi halts this effort and instructs them to dig caves in the hills. What they end up with is an elaborate tunnel system that allows the Japanese troops to remain semi-hidden while still being able to strike a powerful blow against the American soldiers.

This is just one of the things Kuribayashi does to give the outnumbered and outgunned Japanese forces a fighting chance. And to say they are outnumbered and outgunned is an understatement. The Battle of Iwo Jima was a true David versus Goliath story, only in this version David loses.

"Letters" is a powerful film in every sense of the word. Many people will wonder, "Why would I want to see a movie about a bunch of guys that were our enemies?" This is not an easy question to answer. But when you watch "Letters," you realize why; these Japanese men were just like the American men. They were accountants, butchers, bakers and candlestick makers. These men were young men, some could be called boys, which were plucked from their everyday lives and told that they were going to war. When the Japanese military tells a young man that he's going to war, they tell him it's an honor to die for your country. And when his wife weeps, their landlord yells at her not to be selfish. Why should you see "Letters?" Because just like "Flags," "Letters" is a story of real people doing extraordinary things.

Clint Eastwood also does extraordinary things with "Letters." Eastwood used the same crew for both films, so all the technical aspects of the film are of an amazing quality. The one thing that brings "Letters" a step higher is the cave shooting. The lighting used in the cave adds this eerie atmosphere to those scenes. There is one scene in particular that is particularly haunting. It is when some of the Japanese soldiers are traveling the tunnels in retreat to another mountain cave. The scene is shot in a foggy-grey, when suddenly the scene is lit up by an American blowtorch shooting down from a whole above. It was a frightening scene, but shot with such brilliance that you can't help but watch it.

The acting is also supremely professional. With the exception of Watanabe, most of the cast are unknowns; that is, until now. Ken Watanabe brings a truly human quality to the film. Many of his officers believe in having their troops commit suicide rather than being taken captive, which is a Japanese military custom. Watanabe's Kuribayashi will not make such an order. He believes his men can get out alive; he wants them to go home. Because just like them, Kuribayashi has a family he wants to go home to. It's a powerful performance that was overlooked in many ways.

Jump to January 2007, and it seems that "Letters" has out done "Flags," as "Letters" receives a number of Oscar nominations including Best Picture and Best Director. But one does not out do the other if you put them together. If you put "Flags of Our Fathers" and "Letters from Iwo Jima" together, they make one epic film spanning to views of the battle. They also share similar themes besides the typical "war is hell" feeling. They both also show the government involvement with propaganda in making the campaign seem glorious. Eastwood really does make this a commentary on today's war, besides telling the stories of these brave men that fought for both sides. In the end, "Flags" and "Letters" are two amazing films that make one extraordinary piece of filmmaking.